Leaves of Grass by Walt Whitman

Inspired by transcendentalism, Whitman's immortal collection includes some of the greatest poems of modern times, including his masterpiece "Song of Myself." Shattering standard conventions of symbolism and allegory, it stands as an unabashed celebration of body and nature.

Frankenstein by Mary Shelley

Mary Shelley began writing Frankenstein when she was only eighteen. At once a Gothic thriller, a passionate romance, and a cautionary tale about the dangers of science, Frankenstein tells the story of committed science student Victor Frankenstein. Obsessed with discovering "the cause of generation and life" and "bestowinganimation upon lifeless matter," Frankenstein assembles a human being from stolen body parts but; upon bringing it to life, he recoils in horror at the creature's hideousness. Tormented by isolation and loneliness, the once-innocent creature turns to evil and unleashes a campaign of murderous revenge against his creator, Frankenstein.
Frankenstein, an instant bestseller and an important ancestor of both the horror and science fiction genres, not only tells a terrifying story, but also raises rofound, disturbing questions about the very nature of life and the place of humankind within the cosmos: What does it mean to be human? What responsibilities do we have to each other? How far can we go in tampering with Nature? In our age, filled with news of organ donation genetic engineering, and bio-terrorism, these questions are more relevant than ever.

Moby-Dick by Herman Melville

On a previous voyage, a mysterious white whale had ripped off the leg of a sea captain named Ahab. Now the crew of the Pequod, on a pursuit that features constant adventure and horrendous mishaps, must follow the mad Ahab into the abyss to satisfy his unslakeable thirst for vengeance. Narrated by the cunningly observant crew member Ishmael,Moby-Dick is the tale of the hunt for the elusive, omnipotent, and ultimately mystifying white whale—Moby Dick.

On its surface, Moby-Dick is a vivid documentary of life aboard a nineteenth-century whaler, a virtual encyclopedia of whales and whaling, replete with facts, legends, and trivia that Melville had gleaned from personal experience and scores of sources. But as the quest for the whale becomes increasingly perilous, the tale works on allegorical levels, likening the whale to human greed, moral consequence, good, evil, and life itself. Who is good? The great white whale who, like Nature, asks nothing but to be left in peace? Or the bold Ahab who, like scientists, explorers, and philosophers, fearlessly probes the mysteries of the universe? Who is evil? The ferocious, man-killing sea monster? Or the revenge-obsessed madman who ignores his own better nature in his quest to kill the beast?

Scorned by critics upon its publication, Moby-Dick was publicly derided during its author’s lifetime. Yet Melville’s masterpiece has outlived its initial misunderstanding to become an American classic of unquestionably epic proportions.

The Call of the Wild by Jack London

Buck, the main character, is a 145lb Saint Bernard/Scotch Shepherd cross, which gives him the appearance of an exceptionally large dog that looks similar to a wolf. Buck leads a comfortable life as the pet of Judge Miller in the 'sun-kissed' Santa Clara Valley of Northern California. Judge Miller's gardener's assistant, Manuel, along with a friend, abducts the dog and sells him to a trainer of sled dogs, which were in great demand due to the discovery of "a yellow metal" in the frozen lands of the Yukon, Alaska. Slowly introduced to the brutality of his new life, Buck is forced to survive and adapt to conditions in Alaska and the Yukon. He works pulling sleds with other dogs, learns to steal food, and engages in power struggle with other dogs for the lead position in the sled team. His owners soon learn that even though his enemy, Spitz, fights like a devil, Buck is "two devils". He becomes the leader of the sled team after defeating Spitz in a battle. He then is exchanged to a mail carrier. He changes hands to a trio of incompetent owners, and is nearly starved and beaten to death. Eventually acquired by a kind and loving owner, John Thornton. When Thornton is killed by "Yeehat" native Americans, Buck goes into a beastly rage and kills several members of the native tribe. Buck returns to the wild and becomes the alpha male of a wolf pack he met a few days before the death of Thornton. Of the world Buck enters, London writes "the salient thing of this other world seemed fear." It is a world of dream that Buck enters, when he becomes something of a legend, The Ghost Dog.