How to Write An Effective Book Review
Introduce the subject, scope, and type of book
· Identify the book by author and title
· Specify the type of book (fiction, nonfiction, biography, autobiography, etc.)
· Mention the books theme
Briefly summarize the content
· For a nonfiction book, provide an overview, including paraphrases and quotations, of the book’s thesis and primary supporting points
· For a work of fiction, briefly review the story line for readers, being careful not to give away anything that would lessen the suspense for future readers.
Provide your reactions to the book
· Describe the book
o Is it interesting, memorable, entertaining, instructive? Why?
· Respond to the author’s opinions
o What do you agree with? And why?
o What do you disagree with? And why?
· Explore issues the book raises
o What possibilities does the book suggest? Explain.
o What matters does the book leave out? Explain.
· Relate your argument to other books or authors
o Support your argument for or against the author’s opinions by bring in other authors you agree with.
· Relate the book to latger issues
o How did this book affect you?
o How have your opinions about the topic changed?
o How is the book related to your own course or personal agenda?
Conclude by synthesizing your ideas
· Close with a direct comment on the book
· Tie together issues raised in the review and create an interesting and new insight
· Offer advice for potential readers
Escales, Maria. "Literacy Education Online: Writing Book Reviews". St. Cloud State University. March 9, 2009
Thursday, March 12, 2009
The Call of the Wild by Jack London
A Portrait of the Artist as a Young Man by James Joyce
The Portrait of a Lady by Henry James
As the story begins, Isabel, resolved to determine her own fate, has turned down two eligible suitors. Her cousin, who is dying of tuberculosis, secretly gives her an inheritance so that she can remain independent and fulfill a grand destiny, but the fortune only leads her to make a tragic choice and marry Gilbert Osmond, an American expatriate who lives in Florence. Outwardly charming and cultivated, but fundamentally cold and cruel, Osmond only brings heartbreak and ruin to Isabel's life. Yet she survives as she begins to realize that true freedom means living with her choices and their consequences.
Richly complex and nearly aesthetically perfect, The Portrait of a Lady brilliantly portrays the clash between the innocence and exuberance of the New World and the corruption and wisdom of the Old.
Their Eyes Were Watching God by Zora Neale Hurston
Nanny, Janie's grandmother, was a slave who became pregnant by her master and gave birth to a daughter, Leafy. Though Nanny tries to create a good life for her daughter, Leafy is raped by her school teacher and she becomes pregnant with Janie. Shortly after Janie's birth, Leafy begins to drink and stay out at night. Eventually, she runs away leaving Janie with Nanny. Nanny transfers all the hopes she had for Leafy to Janie. When Janie is sixteen, Nanny sees her kissing a neighborhood boy, Johnny Taylor, and fears that Janie will become a "mule" to some man, so she arranges for Janie to marry Logan Killicks, an older man and farmer who is looking for a wife to keep his home and help on the farm. Janie has the idea that marriage must involve love, forged in a pivotal early scene where she sees bees pollinating a pear tree, and believes that marriage is the human equivalent to this natural process. Logan Killicks, however, wants a domestic helper rather than a lover or partner, and after he tries to force her to help him with the hard labor of the farm, Janie runs off with the glib Joe (Jody) Starks, who takes her to Eatonville.
Starks arrives in Eatonville (the United States's first all-black community) to find the residents devoid of ambition, so he arranges to buy more land from the neighboring landowner, hires some local residents to build a general store for him to own and run, and has himself appointed mayor. Janie soon realizes that Joe wants her as a trophy wife. He wants the image of his perfect wife to reinforce his powerful position in town, as he asks her to run the store but forbids her from participating in the substantial social life that occurs on the store's front porch.
After Starks passes away, Janie finds herself financially independent and beset with suitors, some of whom are men of some means or have prestigious occupations, but she falls in love with a drifter and gambler named Vergible Woods who goes by the name of Tea Cake throughout the story. She falls in love with Tea Cake after he plays the harmonica for her. She sells the store and the two head to Jacksonville and get married, only to move to the Everglades region soon after for Tea Cake to find work planting and harvesting beans. While their relationship has its ups and downs, including mutual bouts of jealousy, Janie now has the marriage with love that she had wanted.
The area is hit by the great Okeechobee hurricane, and while Tea Cake and Janie survive it, Tea Cake is bitten by a rabid dog while saving Janie from drowning. He contracts the disease himself. He ultimately tries to shoot Janie with his pistol, but she shoots him with a rifle in self-defense. She is charged with murder. At the trial, Tea Cake's black, male friends show up to oppose her, while a group of local white women arrive to support her. The all-white jury acquits Janie, and she gives Tea Cake a lavish funeral. Tea Cake's friends forgive her, and they want her to remain in the Everglades. However, she decides to return to Eatonville, only to find the residents gossiping about her.
Tess of the D'Urbervilles by Thomas Hardy
Using richly poetic language to frame a shattering narrative of love,seduction, betrayal, and murder, Hardy tells the story of Tess Durbeyfield, a beautiful young woman living with her impoverished family in Wessex, the southwestern English county immortalized by Hardy. After the family learns of their connection to the wealthy d'Urbervilles, they send Tess to claim a portion of their fortune. She meets and is seduced by the dissolute Alec d'Urberville and secretly bears a child, Sorrow, who dies in infancy. A very different man, Angel Clare, seems to offer Tess love and salvation, but he rejects her on their wedding night after learning of her past. Emotionally bereft, financially impoverished, and victimized by the self-righteous rigidity of English social morality, Tess escapes from her vise of passion through a horrible, desperate act.
With its compassionate portrait of a young rural woman, powerful criticism of social convention, and disarming consideration of the role of destiny in human life, Tess of the D'Urbervilles is one of the most moving and memorable of Hardy's novels.
The Mill on the Floss by George Eliot
Maggie Tulliver holds the central role in the book, as both her relationship with her older brother Tom, and her romantic relationships with Philip Wakem, a hunchbacked, but sensitive and intellectual, friend, and with Stephen Guest, a vivacious young socialite in St. Oggs and assumed fiancé of Maggie’s cousin Lucy Deane, constitute the most significant narrative threads.
Tom and Maggie have a close yet complex bond, which continues throughout the novel. Their relationship is colored by Maggie's desire to recapture the unconditional love her father provides prior to his death. Tom’s pragmatic and reserved nature clashes with Maggie’s idealism and fervor for intellectual gains and experience. Various family crises, including bankruptcy, Mr. Tulliver’s rancorous relationship with Philip Wakem’s father, which results in the loss of the mill, and Mr. Tulliver’s untimely death, serve both to intensify Tom and Maggie’s differences and to highlight their love for each other. To help his father repay his debts, Tom leaves his desultory schooling to enter a life of business. He eventually finds a measure of success, restoring the family’s prior estate. Meanwhile Maggie languishes in the impoverished Tulliver home, her intellectual aptitude wasted in her socially isolated state. She passes through a period of intense spirituality, during which she renounces the world, spurred by Thomas à Kempis’s Imitation of Christ.
This renunciation is tested by a renewed friendship with Philip Wakem, with whom she had developed an affinity while he was a fellow pupil with Tom. Against the wishes of Tom and her father, who both despise the Wakems, Maggie secretly meets with Philip, and together they go for long walks through the woods. The relationship they forge is founded partially in Maggie’s heartfelt pity for broken and neglected human beings, as well as an outlet for her intellectual romantic desires. Philip and Maggie’s attraction is, in any case, inconsequential due to the family antipathy. Philip manages to coax a pledge of love from Maggie. When Tom discovers the relationship between the two, however, he forces his sister to renounce Philip, and with him her hopes of experiencing the broader, more cultured world he represents.
Several more years pass, during which Mr. Tulliver dies. Lucy Deane invites Maggie to come and stay with her and experience the life of cultured leisure that Lucy enjoys. This includes long hours conversing and playing music with Lucy's suitor, Stephen Guest, a prominent St. Ogg’s resident. Stephen and Maggie, against their rational judgments, become attracted to each other. The complication is further compounded by Philip Wakem’s friendship with Lucy and Stephen; he and Maggie are reintroduced, and Philip’s love for her is rekindled, while Maggie, no longer isolated, enjoys the clandestine attentions of Stephen Guest, putting her past professions for Philip in question. In the event, Stephen and Maggie, though they try to forswear each other, allow themselves to elope, almost by accident – Lucy conspires to throw Philip and Maggie together on a short rowing trip down the Floss, but when Stephen unwittingly takes a sick Philip’s place, and Maggie and Stephen find themselves floating down the river, negligent of the distance they’ve covered, he proposes they board a passing steamer to the next substantial city, Mudport, and get married. Maggie struggles between her love for Stephen and her duties to Philip and Lucy, contracted as it were in her past, when she was poor and isolated, and dependent on either of them for what good her life contained. Upon arrival in Mudport she rejects Stephen and makes her way back to St. Oggs, where she lives for a brief period as an outcast, Stephen having fled to Europe. Although she immediately goes to Tom for forgiveness and shelter, he roughly sends her away, telling her that she will never again be welcome under his roof. Both Lucy and Philip forgive her, she in a moving reunion, he in an eloquent letter.
Maggie’s brief exile ends when the river floods. The flood is considered by some to be a deus ex machina. It is kind of a way of getting out of the corner the author wrote herself into. Those who do not support this view cite the frequent references to flood as a foreshadowing which makes this natural occurrence less contrived. Having struggled through the waters in a boat to find Tom at the old mill, she sets out with him to rescue Lucy Deane and her family. In a brief tender moment, the brother and sister are reconciled from all past differences. When their boat capsizes, the two drown in an embrace, thus giving the book its Biblical epigraph, “In death they were not divided.”
Narrative of the Life of Frederick Douglass, An American Slage Wirtten By Himself by Frederick Douglass
No book except perhaps Uncle Tom's Cabin had as powerful an impact on the abolitionist movement as Narrative of the Life of Frederick Douglass. But while Stowe wrote about imaginary characters, Douglass's book is a record of his own remarkable life.
Born a slave in 1818 on a plantation in Maryland, Douglass taught himself to read and write. In 1845, seven years after escaping to the North, he published Narrative, the first of three autobiographies. This book calmly but dramatically recounts the horrors and the accomplishments of his early years, the daily, casual brutality of the white masters; his painful efforts to educate himself; his decision to find freedom or die; and his harrowing but successful escape.
An astonishing orator and a skillful writer, Douglass became a newspaper editor, a political activist, and an eloquent spokesperson for the civil rights of African Americans. He lived through the Civil War, the end of slavery, and the beginning of segregation. He was celebrated internationally as the leading black intellectual of his day, and his story still resonates in ours.
The Red Badge of Courage by Stephen Crane
Young Henry Fleming dreams of finding glory and honor as a Union soldier in the American Civil War. Yet he also harbors a hidden fear about how he may react when the horror and bloodshed of battle begin. Fighting the enemy without and the terror within, Fleming must prove himself and find his own meaning of valor.
Unbelievable as it mayseem, Stephen Crane had never been a member of any army nor had taken part in any battle when he wrote The Red Badge of Courage. But upon its publication in 1895, when Crane was only twenty-four, Red Badge was heralded as a new kind of war novel, marked by astonishing insight into the true psychology of men under fire. The Red Badge of Courage unleashed Crane's deeply influential impressionistic style.
The Awakening by Kate Chopin
An American classic of sexual expression that paved the way for the modern novel, The Awakening is both a remarkable novel in its own right and a startling reminder of how far women in this century have come. The story of a married woman who pursues love outside a stuffy, middle-class marriage, the novel portrays the mind of a woman seeking fulfillment of her essential nature.
Jane Eyre by Charlotte Bronte
One of the world's most beloved novels, Jane Eyre is a startlingly modern blend of passion, romance, mystery, and suspense.
Go Tell It on the Mountain by James Baldwin
Go Tell It on the Mountain is filled with biblical references that evoke the spirit of the black church and a realism that brings to life the Harlem of the 1930s, a northern ghetto whose inhabitants were still struggling with southern demons. Baldwin, in a 1984 interview with the Paris Review, captured what he was trying to say in the novel about all of us and about his own life: "[Writing Go Tell It on the Mountain] was an attempt to exorcise something, to find out what happened to my father, what happened to all of us, what had happened to me and how we were to move from one place to another." Its brilliant style and sophisticated portrait of a young man struggling with complex issues made this one of the landmark novels of the postwar period.