The Glass Menagerie by Tennessee Williams

The play is introduced to the audience by Tom as a memory play, based on his recollection of his mother Amanda and his sister Laura. Amanda's husband left the family long ago, and she remains stuck in the past. Tom works in a warehouse, doing his best to support them. He chafes under the banality and boredom of everyday life and spends much of his spare time watching movies in cheap cinemas. Amanda is obsessed with finding a suitor for Laura, who spends most of her time with her glass collection. Tom eventually brings Jim home for dinner at the insistence of his mother, who hopes Jim will be the long-awaited suitor for Laura. Laura realizes that Jim is the man she loved in high school and has thought of ever since. He dashes her hopes, telling her that he is already engaged, and then leaves. Tom leaves too, and never returns to see his family again. However, Tom still remembers his sister, Laura.

The House of Mirth by Edith Wharton

Edith Wharton’s dark view of society, the somber economics of marriage, and the powerlessness of the unwedded woman in the 1870s emerge dramatically in the tragic novel The House of Mirth. Faced with an array of wealthy suitors, New York socialite Lily Bart falls in love with lawyer Lawrence Selden, whose lack ofmoney spoils their chances for happiness together. Dubious business deals and accusations of liaisons with a married man diminish Lily’s social status, and as she makes one bad choice after another, she learns how venal and brutally unforgiving the upper crust of New York can be.

One of America’s finest novels of manners, The House of Mirth is a beautifully written and ultimately tragic account of the human capacity for cruelty.

The Adventures of Huckleberry Finn by Mark Twain

Huckleberry Finn, rebel against school and church, casual inheritor of gold treasure, rafter of the Mississippi, and savior of Jim the runaway slave, is the archetypical American maverick.

Fleeing the respectable society that wants to "sivilize" him, Huck Finn shoves off with Jim on a rhapsodic raft journey down the Mississippi River. The two bind themselves to one another, becoming intimate friends and agreeing "there warn't no home like a raft, after all. Other places do seem so cramped up and smothery, but a raft don't. You feel mighty free and easy and comfortable on a raft."

As Huck learns about love, responsibility, and morality, the trip becomes a metaphoric voyage through his own soul, culminating in the glorious moment when he decides to "go to hell" rather than return Jim to slavery.

Mark Twain defined classic as "a book which people praise and don't read"; Huckleberry Finn is a happy exception to his own rule. Twain's mastery of dialect, coupled with his famous wit, has made Adventures of Huckleberry Finn one of the most loved and distinctly American classics ever written.

Fathers and Sons by Ivan Turgenev

The fathers and children of the novel refers to the growing divide between the two generations of Russians, and the character Yevgeny Bazarov has been referred to as the "first Bolshevik", for his nihilism and rejection of the old order.

Turgenev wrote Fathers and Sons as a response to the growing cultural schism that he saw between liberals of the 1830s/1840s and the growing nihilist movement. Both the nihilists (the "sons") and the 1830s liberals sought Western-based social change in Russia. Additionally, these two modes of thought were contrasted with the conservative Slavophiles, who believed that Russia's path lay in its traditional spirituality.

Fathers and Sons might be regarded as the first wholly modern novel in Russian Literature (Gogol's Dead Souls, another main contender, is sometimes referred to as a poem or epic in prose as in the style of Dante's Divine Comedy). The novel introduces a dual character study, as seen with the gradual breakdown of Bazarov's and Arkady's nihilistic opposition to emotional display, especially in the case of Bazarov's love for Madame Odintsova and Fenichka. This prominent theme of character duality and deep psychological insight would exert an influence on most of the great Russian novels to come, most obviously echoed in the novels of Tolstoy and Dostoevsky.

The novel is also the first Russian work to gain prominence in the Western world.

Vanity Fair by William Makepeace

“I think I could be a good woman, if I had five thousand a year,” observes beautiful and clever Becky Sharp, one of the wickedest—and most appealing—women in all of literature. Becky is just one of the many fascinating figures that populate William Makepeace Thackeray’s novel Vanity Fair, a wonderfully satirical panorama of upper-middle-class life andmanners in London at the beginning of the nineteenth century.

Scorned for her lack of money and breeding, Becky must use all her wit, charm and considerable sex appeal to escape her drab destiny as a governess. From London’s ballrooms to the battlefields of Waterloo, the bewitching Becky works her wiles on a gallery of memorable characters, including her lecherous employer, Sir Pitt, his rich sister, Miss Crawley, and Pitt’s dashing son, Rawdon, the first of Becky’s misguided sexual entanglements.

Filled with hilarious dialogue and superb characterizations, Vanity Fair is a richly entertaining comedy that asks the reader, “Which of us is happy in this world? Which of us has his desire? or, having it, is satisfied?”

The Grapes of Wrath by John Steinbeck

The narrative begins just after Tom Joad is paroled from prison for homicide. On his journey home, he meets a now-former preacher, Jim Casy, whom he remembers from his childhood, and the two travel together. When they arrive at his childhood farm home, they find it deserted. Disconcerted and confused, he and Casy go to his Uncle John's home nearby where he finds his family loading a converted Hudson truck with what remains of their possessions; the crops were destroyed in the Dust Bowl and as a result, the family had to default on their loans. With their farm repossessed, the Joads seek solace in hope; hope inscribed on the handbills which are distributed everywhere in Oklahoma, describing the beautiful and fruitful country of California and high pay to be had in that state. The Joads, along with Jim Casy, are seduced by this advertising and invest everything they have into the journey. Although leaving Oklahoma would be breaking parole, Tom decides that it is a risk, albeit minimal, that he has to take.
While en route, the Joad family discovers that all of the roads and the highways are saturated with other families who are also making the same trek, ensnared by the same promise. As the Joads continue on their journey and hear many stories from others, some coming from California, they are forced to confront the possibility that their prospects may not be what they hoped. This realization, supported by the deaths of Grandpa and Grandma and the departure of Noah (the eldest Joad son) and Connie (the husband of the pregnant Joad daughter, Rose of Sharon), is forced from their thoughts: they must go on because they have no choice--there is nothing remaining for them in Oklahoma.
Upon arrival, they find little hope of finding a decent wage, as there is an oversupply of labor and a lack of rights, and the big corporate farmers are in collusion. The tragedy lies in the simplicity and impossibility of their dream: a house, a family, and a steady job. A gleam of hope is presented at Weedpatch, in one of the clean, utility-supplied camps operated by the Resettlement Administration, a New Deal agency that tried to help the migrants, but there is not enough money and space to care for all of the needy.
In response to the exploitation of laborers, the workers begin to join unions. The surviving members of the family unknowingly work as strikebreakers on an orchard involved in a strike that eventually turns violent, killing the preacher Casy and forcing Tom Joad to kill again and become a fugitive. He bids farewell to his mother, promising that no matter where he runs, he will be a tireless advocate for the oppressed. Rose of Sharon's baby is stillborn; however, Ma Joad remains steadfast and forces the family through the bereavement. In the end, Rose of Sharon commits the only act in the book that is not futile: she breast feeds a starving man, still trying to show hope in humanity after her own negative experience. This final act is said to illustrate the spontaneous mutual sharing that will lead to a new awareness of collective values.

Pygmalion by George Bernard Shaw

Pygmalion follows the adventures of phonetics professor Henry Higgins as he attempts to transform cockney flower girl Eliza Doolittle into a refined lady. The scene in which Eliza appears in high society with the correct accent but no notion of polite conversation is considered one of the funniest in English drama. Like most of Shaw’s work, Pygmalion wins over audiences with wit, a taut morality, and an innate understanding of human relationships.

Romeo and Juliet by William Shakespeare

The play starts with a street brawl between Montagues and Capulets. The Prince of Verona intervenes and declares that further breach of the peace will be punishable by death. Later, Count Paris talks to Lord Capulet about marrying his daughter, but Capulet is wary of the request because Juliet is still only thirteen. Capulet asks Paris to wait another two years and invites him to attend a planned Capulet ball. Lady Capulet and Juliet's nurse try to persuade Juliet to accept Paris' courtship. After the brawl, Benvolio talks with his cousin Romeo, Lord Montague's son, about Romeo's recent depression. Benvolio discovers that it stems from unrequited love for a girl named Rosaline, one of Lord Capulet's nieces. Persuaded by Benvolio and Mercutio, Romeo attends the ball at the Capulet house in hopes of meeting Rosaline. However, Romeo instead meets and falls in love with Juliet. After the ball, in what is now called the "balcony scene", Romeo sneaks into the Capulet courtyard and overhears Juliet on her balcony vowing her love to him in spite of her family's hatred of the Montagues. Romeo makes himself known to her and they agree to be married.
With the help of Friar Laurence, who hopes to reconcile the two families through their children's union, they are married secretly the next day. Juliet's cousin Tybalt, offended that Romeo had sneaked into the Capulet ball, challenges him to a duel. Romeo, now considering Tybalt his kinsman, refuses to fight him. Mercutio is incensed by Tybalt's insolence, as well as Romeo's "vile submission", and accepts the duel on Romeo's behalf. Mercutio is fatally wounded and Romeo, angered by his friend's death, pursues and slays Tybalt. The Prince exiles Romeo from Verona for the killing. He also adds that if Romeo returns, "that hour is his last". Lord Capulet, misinterpreting Juliet's grief, agrees to marry her to Count Paris and threatens to disown her when she refuses to become Paris's "joyful bride". When she then pleads for the marriage to be delayed, her mother rejects her. Romeo secretly spends the night in Juliet's chamber, where they consummate their marriage.
Juliet visits Friar Laurence for help, and he offers her a drug that will put her into a death-like coma for "two and forty hours". The Friar promises to send a messenger to inform Romeo of the plan, so that he can rejoin her when she awakens. On the night before the wedding, she takes the drug and, when discovered apparently dead, she is laid in the family crypt.
The messenger, however, does not reach Romeo and, instead, he learns of Juliet's apparent death from his servant Balthasar. Grief-stricken, Romeo buys poison from an apothecary and goes to the Capulet crypt. He encounters Paris who has come to mourn Juliet privately. Believing Romeo to be a vandal Paris confronts him and, in the ensuing battle, Romeo kills Paris. Still believing Juliet to be dead, he drinks the poison. Juliet then awakens and, finding Romeo dead, stabs herself with his dagger. The feuding families and the Prince meet at the tomb to find all three dead. Friar Laurence recounts the story of the two "star-cross'd lovers". The families are reconciled by their children's deaths and agree to end their violent feud. The play ends with the Prince's elegy for the lovers: "For never was a story of more woe / Than this of Juliet and her Romeo."

A Midsummer Night's Dream by William Shakespeare

A Midsummer Night's Dream is a romantic comedy by William Shakespeare. It was suggested by "The Knight's Tale" from Geoffrey Chaucer's The Canterbury Tales and written around 1594 to 1596. It portrays the adventures of four young Athenian lovers and a group of amateur actors, their interactions with the Duke and Duchess of Athens, Theseus and Hippolyta, and with the fairies who inhabit a moonlit forest.

Call It Sleep: A Novel by Henry Roth

Call It Sleep is the story of an Austrian-Jewish immigrant family in New York in the early part of the twentieth century. Six-year-old David Schearl has a close and loving relationship with his mother Genya, but his father Albert is aloof, resentful and angry toward his wife and son. David's development takes place between fear of his father's potential violence and the degradation of life in the streets of the tenement slums. After the family has begun settling into their life in New York, Genya's sister Bertha arrives from Austria to stay with them. Bertha's coarse and uninhibited nature offends Albert, and her presence in the home renews and exacerbates the tension in the family's relations.
Listening to conversations between Genya and Bertha, David begins to pick up hints that his mother may have had a passionate affair with a non-Jewish Austrian man before marrying Albert. David imagines the romantic setting "in the corn fields" where the pair would secretly meet. Bertha leaves the Schearl household when she marries her dentist, Nathan. She and Nathan open a candy store where they live with Nathan's two daughters, Polly and Esther.
David begins his religious education and is quickly identified by his rabbi teacher, Reb Yidel, as an exceptional student of Hebrew. David becomes fascinated with the story of Isaiah 6 after he hears the rabbi translate the passage for an older student; specifically, the image of an angel holding a hot coal to Isaiah's lips and cleansing his sin.
During the Passover holiday, David encounters some older truant children who force him to accompany them and drop a piece of zinc onto a live trolley-car rail. The electrical power released from this becomes associated in David's mind with the power of God and Isaiah's coal.
Meanwhile, Albert has taken a job as a milk delivery man. David, accompanying his father one day, sees Albert brutally whip a man who attempts to steal some of the milk bottles, possibly killing him.
David meets and becomes infatuated with an older Catholic boy named Leo. Leo takes advantage of David's friendship, and offers him a rosary - which David believes to have special powers of protection - in exchange for the chance to meet David's step-cousins, Polly and Esther. Leo takes Esther into the basement of the candy store and rapes her.
David is thrown into an agitated state. He goes to Reb Yidel and fabricates a story, telling him that Genya is actually his aunt, his true mother is dead, and that he is the son of her affair with the non-Jewish man. Meanwhile, Polly tells Bertha and Nathan about what Leo did with Esther. As the rabbi goes to the Schearl household to inform Genya and Albert of what David told him, Bertha begs Nathan not to confront Albert about David's role in Leo's actions. Nathan goes anyway, although he fears Albert's wrath as well.
After Reb Yidel relates David's story to Genya and Albert, David arrives at the apartment. Albert begins to reveal what he has suspected about David's birth. He tells Genya that their marriage is a sham, arranged to make one sin cover up the other - her affair, which was kept secret - against his sin, allowing his abusive father to be gored by a bull, widely known in the Austrian village they left. Despite Genya's denials, Albert reaffirms his belief in his version of the story. He declares that David is not his son but the product of Genya's affair.
At that moment, Nathan and Bertha arrive. Nathan hesitates at the moment of speaking his mind under Albert's cold fury, but David steps forward to confess to his parents of his part in what took place. He gives his father the whip that was used on the would-be milk thief. As Albert reaches the height of his enraged frenzy, he discovers the rosary that David possesses, believing it to be a sign that proves his suspicions. Albert makes as if to kill his son with the whip.
As the others restrain Albert, David flees the apartment and returns to the electrified rail. This time, he touches the rail with his foot and receives an enormous electric shock. Incapacitated, he is discovered by nearby tavern patrons and returned home by a policeman. When his parents are informed what happened, Albert appears remorseful and compassionate toward his son for the first time. As his mother takes him into her arms, David experiences a feeling such that "he might as well call it sleep".

Cyrano de Bergerac by Edmond Rostand

One of the most beloved heroes of the stage, Cyrano de Bergerac is a magnificent wit who, despite his many gifts, feels that no woman can ever love him because of his enormous nose. He adores the beautiful Roxanne but, lacking courage, decides instead to help the tongue-tied but winsome Christian woo the fair lady by providing him with flowery sentiments andsoulful poetry. Roxanne is smitten—but is it Christian she loves or Cyrano?

A triumph from the moment of its 1897 premiere, Cyrano de Bergerac has become one of the most frequently produced plays in the world. Its perennial popularity is a tribute to the universal appeal of its themes and characters.

The Crying of Lot 49 by Thomas Pynchon

Is about a woman, Oedipa Maas, possibly unearthing the centuries-old conflict between two mail distribution companies, Thurn und Taxis and the Trystero (or Tristero). The former actually existed, and was the first firm to distribute postal mail; the latter is Pynchon's invention. The novel is often classified as a notable example of postmodern fiction.

Swann's Way by Marcel Proust

Following Charles Swann’s opening ruminations about the nature of sleep is one of twentieth-century literature’s most famous and influential scenes:the eating of the madeleine soaked in a “decoction of lime-flowers,” the associative act from which the remainder of the narrative unfurls. After elaborate reminiscences about Swann’s childhood in Paris and rural Combray, Proust describes his protagonist’s exploits in nineteenth-century privileged Parisian society and his obsessive love for young socialite Odette de Crécy.

Filled with searing, insightful, and humorous criticisms of French society, this novel showcases Proust’s innovative prose style, characterized by lengthy, intricate sentences that elongate, stop, and reverse time. With narration that alternates between first and third person, Swann’s Way unconventionally introduces Proust’s recurring themes of memory, love, art, and the human experience—and for nearly a century readers have deliciously savored each moment.

The Bell Jar: A Novel by Sylvia Plath

This extraordinary work chronicles the crack-up of Esther Greenwood: brilliant, beautiful, enormously talented, successful - but slowly going under, and maybe for the last time. Step by careful step, Sylvia Plath takes us with Esther through a painful month in New York as a contest-winning junior editor on a magazine, her increasingly strained relationships with her mother and the boy she dated in college, and eventually, devastatingly, into the madness itself. The reader is drawn into her breakdown with such intensity that her insanity becomes completely real and even rational, as probable and accessible an experience as going to the movies. Such deep penetration into the dark and harrowing corners of the psyche is rare in any novel. It points to the fact that The Bell Jar is a largely autobiographical work about Plath's own summer of 1953, when she was a guest editor at Mademoiselle and went through a breakdown. It reveals so much about the sources of Sylvia Plath's own tragedy that its publication was considered a landmark in literature.

Doctor Zhivago by Boris Pasternak

A 20th century novel by Boris Pasternak. The novel is named after its protagonist, Yuri Zhivago, a medical doctor and poet. The word zhivago shares a root with the Russian word for life (жизнь), one of the major themes of the novel. It tells the story of a man torn between two women, set primarily against the backdrop of the Russian Revolution of 1917 and the subsequent Russian Civil War of 1918-1920. More deeply, the novel discusses the plight of a man as the life that he has always known is dramatically torn apart by forces beyond his control.

One Hundred Years of Solitude by Gabriel Garcia Marquez

One of the 20th century's enduring works, One Hundred Years of Solitude is a widely beloved and acclaimed novel known throughout the world, and the ultimate achievement in a Nobel Prize–winning career.

The novel tells the story of the rise and fall of the mythical town of Macondo through the history of the Buendía family. It is a rich and brilliant chronicle of life and death, and the tragicomedy of humankind. In the noble, ridiculous, beautiful, and tawdry story of the Buendía family, one sees all of humanity, just as in the history, myths, growth, and decay of Macondo, one sees all of Latin America.

Love and lust, war and revolution, riches and poverty, youth and senility -- the variety of life, the endlessness of death, the search for peace and truth -- these universal themes dominate the novel. Whether he is describing an affair of passion or the voracity of capitalism and the corruption of government, Gabriel García Márquez always writes with the simplicity, ease, and purity that are the mark of a master.

Alternately reverential and comical, One Hundred Years of Solitude weaves the political, personal, and spiritual to bring a new consciousness to storytelling. Translated into dozens of languages, this stunning work is no less than an accounting of the history of the human race.

The Magic Mountain by Thomas Mann

With this dizzyingly rich novel of ideas, Thomas Mann rose to the front ranks of the great modern novelists, winning the Nobel Prize in Literature in 1929. The Magic Mountain takes place in an exclusive tuberculosis sanatorium in the Swiss Alps–a community devoted to sickness that serves as a fictional microcosm for Europe in the days before the First World War. To this hermetic and otherworldly realm comes Hans Castorp, an “ordinary young man” who arrives for a short visit and ends up staying for seven years, during which he succumbs both to the lure of eros and to the intoxication of ideas.

The Call of the Wild by Jack London

Buck, the main character, is a 145lb Saint Bernard/Scotch Shepherd cross, which gives him the appearance of an exceptionally large dog that looks similar to a wolf. Buck leads a comfortable life as the pet of Judge Miller in the 'sun-kissed' Santa Clara Valley of Northern California. Judge Miller's gardener's assistant, Manuel, along with a friend, abducts the dog and sells him to a trainer of sled dogs, which were in great demand due to the discovery of "a yellow metal" in the frozen lands of the Yukon, Alaska. Slowly introduced to the brutality of his new life, Buck is forced to survive and adapt to conditions in Alaska and the Yukon. He works pulling sleds with other dogs, learns to steal food, and engages in power struggle with other dogs for the lead position in the sled team. His owners soon learn that even though his enemy, Spitz, fights like a devil, Buck is "two devils". He becomes the leader of the sled team after defeating Spitz in a battle. He then is exchanged to a mail carrier. He changes hands to a trio of incompetent owners, and is nearly starved and beaten to death. Eventually acquired by a kind and loving owner, John Thornton. When Thornton is killed by "Yeehat" native Americans, Buck goes into a beastly rage and kills several members of the native tribe. Buck returns to the wild and becomes the alpha male of a wolf pack he met a few days before the death of Thornton. Of the world Buck enters, London writes "the salient thing of this other world seemed fear." It is a world of dream that Buck enters, when he becomes something of a legend, The Ghost Dog.

The Portrait of a Lady by Henry James

Widely regarded as Henry James's greatest masterpiece, The Portrait of a Lady features one of the author's most magnificent heroines: Isabel Archer, a beautiful, spirited American who becomes a victim of her provincialism during her travels in Europe.

As the story begins, Isabel, resolved to determine her own fate, has turned down two eligible suitors. Her cousin, who is dying of tuberculosis, secretly gives her an inheritance so that she can remain independent and fulfill a grand destiny, but the fortune only leads her to make a tragic choice and marry Gilbert Osmond, an American expatriate who lives in Florence. Outwardly charming and cultivated, but fundamentally cold and cruel, Osmond only brings heartbreak and ruin to Isabel's life. Yet she survives as she begins to realize that true freedom means living with her choices and their consequences.

Richly complex and nearly aesthetically perfect, The Portrait of a Lady brilliantly portrays the clash between the innocence and exuberance of the New World and the corruption and wisdom of the Old.

Ibsen: A Doll's House by Egil Tornqvist

The play was controversial when first published, as it is sharply critical of 19th century marriage norms. It follows the formula of well-made play up until the final act, when it breaks convention by ending with a discussion, not an unravelling. It is often called the first true feminist play, although Ibsen denied this. The play is also an important work of the naturalist movement, in which real events and situations are depicted on stage in a departure from previous forms such as romanticism.
A Doll's House opens as Nora Helmer is telling Helene, the maid, to hide the Christmas tree from the children. Nora, who is treated as a silly, childish woman by her husband, Torvald, is the protagonist of the play. Her friend Christine Linde, recently widowed and short of money, has heard about Torvald's recent promotion at the bank and comes to ask Nora for help in persuading Torvald to give her (Christine) a job. Nora promises to ask Torvald to give Christine a position as secretary. Nora confides to Christine that she once secretly borrowed money to save Torvald's life when he was very ill, but she has not told him in order to protect his pride. She then took secret jobs copying papers by hand, which she carried out secretly in her room, and learned to take pride in her ability to earn money "as if she were a man." Torvald's promotion promises to finally liberate her from having to scrimp and save in order to be able to pay off her debt. However, she has continued to play the part of the frivolous, scatter-brained child-wife for the benefit of her husband
Meanwhile, Dr. Rank, a family friend, flirts with Nora before revealing that he is terminally ill with Tuberculosis of the spine, the more socially polite way of saying Syphilis at the time, with only a month to live, and that he has been secretly in love with her.
After being fired by Torvald, Krogstad approaches Nora, declaring he no longer cares about the remaining balance of her loan but will preserve the bond to blackmail Torvald into keeping him employed. Krogstad informs Nora that he has written a letter detailing her crime and puts it in Torvald's mailbox, which is locked.
Nora tells Christine of her predicament. Christine says that she and Krogstad were in love before she married, and promises she will convince him to relent.
Torvald tries to check his mail before he and Nora go to a New Year's party, but Nora distracts him by showing him the dance she has been rehearsing for the party. Torvald declares that he will postpone reading his mail until the evening. Alone, Nora contemplates suicide to save her husband from the shame of the revelation of her crime, and more important to pre-empt any gallant gesture on his part to "save" her.
Christine tells Krogstad that she only married her husband because she had no other means to support her sick mother and young siblings, and that she has returned to offer him her love again. Krogstad is moved and offers to take back his letter to Torvald. However, Christine decides that Torvald should know the truth for the sake of his and Nora's marriage.
Back from the party, Doctor Rank gives his letters of death to the Helmers, at the same time, interrupts Torvald from having sex with Nora who refuses to do so. She forces Torvald to check his mailbox. Torvald goes to read his letters and Nora prepares to take her life. Before she has the opportunity, Torvald intercepts her, confronting her with Krogstad's letter. In his rage, he declares that he is now completely in Krogstad's power—he must yield to Krogstad's demands and keep quiet about the whole affair. He berates Nora, calling her a dishonest and immoral woman and telling her she is unfit to raise their children. He says that their marriage will be kept only to maintain appearances.
A maid enters, delivering a letter to Nora. Krogstad has returned the incriminating papers, saying that he regrets his actions. Torvald is jubilant, telling Nora he is saved as he burns the papers. He takes back his harsh words to his wife and tells her that he has forgiven her. He also explains to her that her mistake makes her all the more precious to him because it reveals an adorable helplessness, and that when a man has forgiven his wife it makes him love her all the more since she is the recipient of his generosity.
By now Nora has realized that her husband is not the man she thought he was, and that her whole existence has been a lie. Her fantasy of love is just that—a fantasy. Torvald's love is highly conditional. She has been treated like a plaything, first by her father and then by her husband. She decides that she must leave to find out who she is and what to make of her life. Torvald insists she must fulfill her duty as a wife and mother, but Nora believes she also has duties to herself. From Torvald's reaction to Krogstad's letters, Nora sees that she and Torvald are strangers to each other. When Torvald asks if there is still any chance for them to rebuild their marriage, she replies that it would take "the greatest miracle of all": they would have to change so much that their life together would become a real marriage.
The play ends with Nora leaving, while Torvald hopefully ponders the possibility of "the greatest miracle of all."